Favourite Moments in Fiction #20 – The End of YoRHa (Nier: Automata)

WARNING: The following article contains spoilers for Nier: Automata

yoko taro

No, seriously, this one is a massive spoiler as I’m writing about a good chunk of Nier: Automata‘s ending here. So, please, if you have any intention of playing this game, stop reading and go do that now because this is an ending that I feel nearly everyone should experience for themselves. I daresay that it’s unequivocally one of the best videogame endings ever. If you have already played it, then you already know why and don’t need me to tell you, but I’m gonna write about it anyway just because I can. Continue reading

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My VG Music Picks #78 – Dependent Weakling (Nier: Automata)

WARNING: The following article contains spoilers for Nier: Automata

In retrospect, it’d kind of funny how despite being bigged up as the main antagonists of the game, Adam and Eve are defeated rather early on and don’t really come back until the very end. And even then, their return is minimal. Regardless, they made the most of their little screen-time and both got pretty awesome boss fights that make sure the player remembers them. Today, though, I want to specifically write about the fight with Eve – the climax of the first half of the game – and it’s accompanying music. Continue reading

Nier: Automata – My First Yoko Taro Game

yoko taro

“Everything that lives is designed to end. We are perpetually trapped in a never-ending spiral of life and death. Is this a curse? Or some kind of punishment? I often think about the god who blessed us with this cryptic puzzle…and wonder if we’ll ever get the chance to kill him.”

These are the first lines of dialogue you hear in Nier: Automata, and if this doesn’t immediately tell you what kind of game you’re about to experience, then you are in for one hell of a trip; one that could only have come from a director like Yoko Taro. Anyone familiar with his work kind of had an idea for what to expect but for a newcomer like myself, no amount of research into his previous games could prepare me for what this one had in store. I thought I knew after listening to those opening lines, but that was, appropriately and obviously, only the beginning. First, though, let’s get some backstory out of the way. Continue reading

Favourite Moments in Fiction #19 – Nero VS Dante, Round One (Devil May Cry 4)

WARNING: The following article contains spoilers for Devil May Cry 4

DMC4COVER

I don’t know how Devil May Cry fans felt when playing Devil May Cry 4 for the first time, but I imagine that they’d at least be rather confused. In retrospect, DMC 4‘s opening was kind of ballsy on Capcom’s part. It’s a brand new game but, instead of the beloved Dante, players are put in control of the seemingly less cool Nero who, while still kick-ass when it comes to fighting demons, is first seen running to a church so he can see his girlfriend sing – very different to how Dante is usually introduced. And then when Dante does appear, it’s by crashing through the ceiling and murdering a harmless, old priest. Continue reading

My VG Music Picks #77 – Devil Trigger (Devil May Cry 5)

I’ve been wanting to highlight this song for a long time now, ever since it accompanied Devil May Cry 5‘s announcement trailer at E3 2018. The confirmation of a new entry in the series would’ve got people excited regardless, but this song only pushed the hype levels into maximum overdrive. Everywhere I looked, people were going nuts over the song and it was even at the top of the iTunes charts in the UK for a while. Hell, it’s what got me to actually pick the game up myself (especially when I found out it was an in-game battle theme too). Continue reading